If you look from a specific angle and height, it would seem like a globe with some trees on top of it. This has become such a huge hit with fans that the photos got 70 million views in his Flickr account alone.Ĭalled ‘Qui croire?’ in French, this landscape installation by Francois Abelanet was commissioned by the city of Paris to celebrate ‘A season under the trees’. Which is because Smith imagines Elgin Park to be a town of the 1950s. The snapshots look like straight out of an old photo album. Except for the cars, everything on the set has been created by hand, and Smith used an ordinary compact camera to capture those images. Using an optical illusion known as forced perspective, he creates the illusion of a city through carefully modelled die-cut automobiles in a miniature 1/24th scale. Retro City of Optical Illusions Photographed by Michael Paul SmithĮlgin Park is a fictional 20th century town created by photographer Michael Paul Smith inspired by his colorful life and the challenges he overcame. In 2013, his work was featured at the Grand Palais in Paris. Those pieces were made with projectors and stencils and the illusion was recognized only when viewed from a certain point. These installations were available both in the interior and the exterior of the Grande Halle de la Villette within Parc de la Villette from 15th April to 13th September 2015. Varini being an architecture enthusiast, uses unconventional spaces with varying depths to create new geometric pieces, which are basically paintings. These when viewed together from a single location would create an uncanny feeling. The La Villette En Suites is a 2015 solo exhibition of Swiss artist Felice Varini which used anamorphic projections. Large-scale Geometric Illusions in Paris by Felice Varini If this experiment proves successful, more such crosswalks would be created. Apparently, the idea was inspired by measures taken in New Delhi during brainstorming sessions to make the roads more disciplined. They attempted to enhance both the city’s aesthetic value and to remind motorists to slow down at the crosswalk and in the narrow residential streets. It was created in September this year as a collaboration between the city’s environmental commissioner Ralk Trylla and street art firm Vegi GIH. The three-dimensional aspect has completely jazzed up the innocent traditional zebra walk in the quaint fishing town of Isafjordur in Iceland. According to a company source, the inspiration was to change how tiles are viewed and used.Īfter tiles that make your world go literally haywire, here is a zebra walk that would make you feel as if you are hovering on air. As the forced perspective works in only one direction, one shouldn’t worry about finding their way back. Flooring with such design is for the specific purpose of slowing people down while they are walking over it. Their entryway in their Manchester showroom is designed so as to give an otherworldly appearance to an otherwise traditional setting. This vertigo-inducing warped floor system has been designed by British company Casa Ceramica. It is for the fun-loving ones who are okay with making people scared of falling down the moment they enter a room. This is, urm, not for the light-hearted. Another bus has a wolf, a traditional mascot of the city, running across the intersection. Most buses capture specific street scenes, while one has an imagery of the local traditional architecture. The photorealistic printed imagery mounted to the exteriors of the buses on the occasion of the 2016 Vilnius Street Art Festival would form the scenery beyond along with the vanishing point at the right moment, thus camouflaging the buses. For this is the tribute paid by Lithuanian artist Liudas Parulskis and Studio Vieta to the city heritage of Vilnius. Here is a list of 10 such installations with optical illusions that will simply and literally sweep you off your feet.Ĭalling them ‘ghost buses’ won’t do justice to these beautiful old trolleybuses with 3D prints which make them a part of the city streets. Since time immemorial, artists have been coming up with blazing new ideas and techniques to demand full sensory engagement from the viewers – something that would give a big jerk to their brains and make them go ‘Whoa!’. Playing with perspective is the biggest operating force behind any work of art. With each passing day, optical illusions are increasingly being used in art, entertainment and e ven in scientific audience-driven endeavours. They are created by simple manipulations of lines, colors and patterns to confuse our brains while receiving sensory inputs, thus messing up with the output.
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