![]() When on the society site, please use the credentials provided by that society.If you see ‘Sign in through society site’ in the sign in pane within a journal: Many societies offer single sign-on between the society website and Oxford Academic. Society member access to a journal is achieved in one of the following ways: If you cannot sign in, please contact your librarian. If your institution is not listed or you cannot sign in to your institution’s website, please contact your librarian or administrator.Įnter your library card number to sign in. Following successful sign in, you will be returned to Oxford Academic.Do not use an Oxford Academic personal account. When on the institution site, please use the credentials provided by your institution.Select your institution from the list provided, which will take you to your institution's website to sign in.Click Sign in through your institution.Shibboleth / Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account.Ĭhoose this option to get remote access when outside your institution. Typically, access is provided across an institutional network to a range of IP addresses. If you are a member of an institution with an active account, you may be able to access content in one of the following ways: Get help with access Institutional accessĪccess to content on Oxford Academic is often provided through institutional subscriptions and purchases. ![]() The chapter then highlights the ways in which the transcultural flows between Japan and South Korea operate in constructing South Korean soft masculinity as represented by BYJ. They are “tender charisma,” purity, and politeness. Moreover, the chapter reviews the three key aspects of BYJ's bodily performance that reinforce his soft masculinity through examining the characteristics of Joon-Sang in Winter Sonata. It starts by presenting the Yonsama syndrome. The chapter specifically describes how the Japanese embrace is underpinned by “counter-coevality” and “cultural proximity,” based on the disjunctive spatiotemporal contexts of South Korea and Japan. It is argued that the construction of BYJ's soft masculinity is reinforced by the postcolonial desires of Japanese female fans that engender “retrospective” and “nostalgic” sentiment. Bae Yong-Joon has gained remarkable recognition in Japan after the South Korean television drama Winter Sonata was first screened on Nippon Hoso Kyokai (NHK) in April 2003. This chapter deals with the Japanese fandom of Bae Yong-Joon (BYJ) and explores the ways in which South Korean masculinity is reconstructed through the ambivalent desires of middle-aged Japanese female fans. ![]()
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